This demystification, to which the actor mischievously lends himself, gives his filmography the air of a distorting mirror. Who says distorting mirror also says games of mirrors: Mastroianni's filmography is full of more or less explicit winks to roles of the past. While focusing on understanding Marcello's persona and what makes the quintessence of this icon's game, which his ethics of lightness and distancing have made irresistible, this essay returns to the most emblematic parts of Marcello's career, more challenged male than Latin lover.

 “Icons” collection

About the Author

Claire Micallef is a journalist and member of the editorial board of La Septième Obsession. She also participates in Plus de L'Obs, as a regular contributor.